Pat McGrath Brings Her World of Beauty to Pandora

Pat McGrath has spent more than three decades creating some of fashion’s most memorable beauty looks, so a jewellery collaboration feels like a natural next step. Her work has always gone beyond conventional make-up, using colour, crystals, metallic finishes and unexpected textures to transform the face and help shape the wider mood of a show.

Now she has brought that world to Pandora in a 17-piece collection launching globally on 8 October. Lips, painted hands, anatomical hearts, beauty tubes and personal mantras appear across charms, medallions, rings and a drop earring, all designed to be collected, layered and worn in different combinations.

From Backstage to Jewellery

The obvious route would have been to turn a few familiar make-up products into charms and leave it there. There are lipsticks and beauty tubes in the collection, but the designs work best when they capture the energy and movement of McGrath’s work rather than simply copying the products she uses.

The Tube of Beauty charm, for example, is tilted as though it has just been squeezed, with glossy red ombré enamel dripping from its gold-plated form. The same design appears as a drop earring, where the movement gives it a completely different character and brings the idea closer to the drama of a finished runway look.

The Red Lip Statement charm is another strong example, combining red enamel, clear stones and a small “Kisses” engraving. It is bold, playful and immediately recognisable, which is exactly what a collaboration with Pat McGrath should be.

McGrath has said she did not want to miniaturise beauty products and call them jewellery. Pandora has responded by using enamel for colour, stones and crystals for light, and engraved words to bring some of her familiar backstage language into the pieces.

The Pandora x Pat McGrath Lips of Love charm pairs glossy red enamel with a textured gold-plated centre. Image courtesy of Pandora

Lips, Hands and Hearts

Lips appear throughout the collection in different sizes, metals and formats, including mini charms, larger dangles and rings. It is a familiar beauty symbol, but here it feels relevant because the painted mouth has been such an important part of McGrath’s work throughout her career.

Hands are used just as effectively. One gold-plated charm has red enamel nails curled around a tiny heart, while a mixed-metal version combines a sterling silver hand with a textured gold-plated heart and clear stones above the wrist.

The Beating Heart charm takes a more anatomical approach, with raised detail, glossy red enamel, clear stones and the word “Gorgeous” engraved on the design. There is also an oversized version framed with fuchsia-coloured crystals, giving customers the choice between a smaller personal charm and a much more visible statement piece.

That change of scale gives the collection some welcome variety. Pandora charms are often associated with small, intimate details, but these larger pieces show how the same format can be pushed into more fashion-led territory.

The gold-plated Tube of Beauty charm appears to drip with red ombré enamel and sparkling stone details. Image courtesy of Pandora

When a Mantra Becomes a Talisman

The medallions move the collection beyond literal beauty references and into more personal territory. The Beauty Mantra designs feature lip-shaped cut-outs, fuchsia-coloured crystals and phrases associated with McGrath, while the Mother of Beauty medallion speaks directly to the fans who know her simply as “Mother”.

The Mystic Eye is one of the most successful pieces in the collection. A 0.012-carat lab-grown diamond sits at the centre of a grooved gold-plated eye, creating a small point of light within a symbol traditionally associated with intuition and protection.

Eyes, hands, hearts and inscribed medallions have been worn as personal symbols for centuries, so these pieces have a meaning beyond their connection to McGrath. Pandora has given them a beauty-world identity, but the wearer can still decide what each one represents.

This is where Pandora’s charm system works particularly well. One piece can be worn on its own, or several can be combined to create something far more individual.

The Lips of Love and Mystic Eye charms bring together red enamel, gold plating and a central lab-grown diamond. Image courtesy of Pandora

Colour That Can Be Worn Again

Make-up can completely change a look, but it is usually removed at the end of the day. This collection takes some of that colour and drama and gives it a more lasting form, without losing the freedom to change how the pieces are worn.

Charms can be moved between bracelets and necklaces, metals can be mixed and smaller designs can be layered with the oversized pieces. McGrath describes the collection as something to play with, saying that “nothing should feel too precious”, and that relaxed approach suits Pandora.

The collection uses 14k gold plating, sterling silver, red enamel, cubic zirconia, man-made crystals and a lab-grown diamond. Pandora says its jewellery is now crafted using 100 per cent recycled silver and gold, connecting the collaboration to the brand’s wider approach to accessible luxury.

Gold necklace with a small red enamel lips charm and a larger radiant eye charm set with a central lab-grown diamond.

Why the Partnership Works

Creative collaborations have become so common that a famous name is no longer enough to make one interesting. The partnership needs to make sense, and the collaborator should bring something recognisable to the finished designs.

McGrath does that because her work already shares so much with jewellery. She has used crystals, metallic pigments, rich colour and reflective surfaces throughout her career, often turning the face into something closer to a three-dimensional artwork.

Pandora brings its own strength to the partnership. The brand understands how people use jewellery to record memories, express an interest or carry a personal symbol, and its modular charm system lets McGrath’s visual world become part of the wearer’s own story.

The collection also continues Pandora’s move towards larger proportions, talismanic medallions, mixed metals and more fashion-led styling. It still feels accessible and unmistakably Pandora, but there is enough drama here to reach customers who may not usually consider traditional charm jewellery.

The Pandora x Pat McGrath Lips of Love ring echoes the collection’s signature mouth motif in a sculptural silver-toned design. Image courtesy of Pandora

The Jewels Club Take

This collection works because Pandora and Pat McGrath share a belief in self-expression. One offers jewellery that can be collected and rearranged, while the other has built a career showing how colour and creativity can change the way someone feels.

Some pieces are simply fun, and there is nothing wrong with that. A lipstick or pair of enamelled lips does not need a complicated explanation, but the eyes, hands, anatomical hearts and engraved medallions bring enough meaning to stop the collection feeling like a novelty.

The strongest pieces are the ones that translate McGrath’s work instead of copying it. The dripping Tube of Beauty, the diamond-set Mystic Eye and the oversized Beating Heart all feel connected to her world, even without her name attached.

Pandora built its success by helping people wear their memories and tell their own stories. This collaboration brings more colour, confidence and drama to that idea, while leaving enough space for the wearer to make it personal.

Blue enamel Lips of Love charms and the mixed-metal Hand of Love bring cool colour to the Pandora x Pat McGrath collection. Image courtesy of Pandora

Discover More

Pandora x Pat McGrath launches globally on 8 October 2026, with My Pandora members in the UK receiving access 24 hours earlier. The 17-piece collection is priced from £35 to £169 in the UK and will be available in Pandora stores and at pandora.net.

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